Following an intensive period in the studio, Kvitravn musically continues where the Runaljod trilogy le o, yet it marks a distinct evolution in Wardruna's unique sound. In a rich musical tapestry, Wardruna use a broad selection of both traditional and historical instruments such as Kravik-lyre, Trossingen-lyre, Taglharpa, Sootharp, Langeleik, Crwth, Goat- horn, Lur, Bronze-lur, ute, Moraharpa, and the record also features guest appearances by a small group of prominent traditional singers, spearheaded by Kirsten Bråten Berg, one of the most important custodians of Norwegian traditional song. roughout eleven songs, Kvitravn discusses Northern sorcery, spirit-animals, shadows, nature and animism, the wisdom and meanings of certain myths, various Norse spiritual concepts, and the relation between sage and songs. Wardruna have carved a rich, polyphonic and dramatic musical landscape that honours the ancient past without gimmick, whilst simultaneously illuminating meaningful expressions of Norse tradition through intrinsically detailed contemporary composition. Beyond
